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Award-winning countertenor Anthony Roth Costanzo created and co-produced this fusion of Handel's Baroque grace with Philip Glass's contemplative minimalism.
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It certainly wants to be more than just a musical conversation between two composers. But its ambition is often its own worst enemy.
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Performed at Printworks, which generally accommodates DJ sets and raves, it's an artistic free-for-all with everything hurled at the wall.
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The Handel and Glass arrangements come from Roth's Grammy-winning CD ARC. In addition to the English National Opera Orchestra being conducted by Karen Kame
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there are several films shown overhead, live paintings by Glenn Brown, dancers flitting about, and Jason Singh's "nature beatboxing."
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There are very few coherent moments in a world where everything is vying for our attention. When the various media do come together
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it is Glass's somber repetition that takes the lead in forming the complex emotional environment. Then, the images add color. The Fall of the House of Usher,
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